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ART as FILM

Certainly, exploring issues from the cultrual perspective of an indigenous artist is of great value: dissect it, question, disrupt thinking...

But another great thing is just to use the work for any purpose and enjoy it, be wowed, be moved. Then, recognize the artist. Note their hereditary and connect that to the greatness you just experienced. That is all. 

Walk in Dreams (left) is perfect for that. It's just a cool piece of art. What the artist said:

" This animation is based on my personal paintings on canvas. The timeline walks you through an arbitrary world as you meet the critters that live there. Walk in Dreams was composed intuitively, just as a painting might be composed."

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Johnathan Thunder

Multi-disciplinary artist

Jonathan Thunder is a multi-disciplinary artist currently residing in Duluth, Minnesota, who works in canvas painting, animation, film making and 3D projection mapping. He has attended the Institute of American Indian Arts in Santa Fe, NM and studied Visual Effects and Motion Graphics in Minneapolis, MN.

http://thunderfineart.com/index.php/animation/

https://vimeo.com/jonathanthunder

Interview at an exhibit where he interprets some of his symbolism and addresses expectations of indigenous artists.

https://www.youtube.com/watch?v=J3eOfbR5sJs

Film Clapboard

First Nation Films

Collection

A collection of films by First Nations filmmakers about First Nations issues and experiences.

Descriptions, links, and YouTube trailors.

First Nation Film:  https://www.firstnationsfilms.com/

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Justin Ducharme

Director and writer

Originally from a small Métis community in Manitoba, Justin Ducharme made his way to Vancouver when he was 18 to further pursue his love for cinema and creative writing. 

THE NATIVE REPORT

Native Report is an entertaining, informative magazine style series that celebrates Native American culture and heritage, listens to tribal elders, and talks to some of the most powerful and influential leaders of Indian Country today.

https://native.wdse.org/

© 2019 by CORINA FITZNAR

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